Daisy Woodley

Live Review: Geese // Sebright Arms 18.11.21

Transatlantic teen rockers, Geese, hunker down in Sebright’s basement for their first,...

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Album Review: JW Francis // WANDERKID

Only a year after the defining, critically acclaimed release of ‘We Share...

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Album Review: Anika // Change

Differing entirely from the rate at which more commercial artists release new...

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Album Review: Snapped Ankles // Forest of Your Problems

On Snapped Ankles’ most danceable-yet-cynical album to date, no societal stereotype is...

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Album Review: SPIRIT OF THE BEEHIVE // ENTERTAINMENT, DEATH

Distorted, immersive, and unbounded; ENTERTAINMENT, DEATH is a dulcet exploration like no...

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Album Review: Xiu Xiu // OH NO

Xiu Xiu’s latest and twelfth album, OH NO, was conceived in, and...

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Album Review: Tugboat Captain // Rut

Tugboat Captain’s first studio album Rut sees them deviate from the melancholic...

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Willie J Healey on Yala! Records and Speedy Follow-ups

For Willie J Healey, ‘Twin Heavy’ marks the start of a new...

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Album Review: Nick Hakim // Will This Make Me Good

Nick Hakim new album sees him once again adjusting the perimeters of...

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Album Review: Porridge Radio // Every Bad

Porridge Radio have reached a stage where they are impossible to ignore....

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Live Review: Art School Girlfriend// Electrowerkz, London

It would be too easy to describe the nights presented by Promotors...

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Live Review: Black Marble // Studio 9424

When you think back a few years, specifically around the time that...

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Album Review: Bombay Bicycle Club // Everything Else Has Gone Wrong

For five years, Bombay Bicycle Club were the face of the indie...

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Live Review: Jimothy Lacoste // Moth Club, London - 09.12.19

Its official – Jimothy Lacoste is the best antidote for the cold...

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Live Review: Crumb // The Dome, London - 05.12.19

Returning to London merely a year after their 2018 debut in the...

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Live Review: Ex:Re and the 12 Ensemble // Kings Place, London

Just when you think that Ex:Re, the solo project of Daughter’s Elena...

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