Features

Peaches & Paris: an Interview with Josef Salvat

Despite the virtual nature of our acquaintance, Josef Salvat’s charming personality makes...

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Alone Together Documentary Review: Collaborative Therapy for the Digital Age

Ten months after the release of her quarantine album, Alone Together takes us...

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Blanketman on their 'National Trust' EP and writing music in a pandemic

Gearing up to release their debut EP, National Trust, later this month, we sat...

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Post-Punk & Patience: an Interview with TV Priest

With their moshpit-ready cacophony of distorted guitars and wry takes on modernity;...

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RIOT Introducing #024: Greta Isaac

It’s rare that a pop artist comes out of the gates with...

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Looking Back: Did Dexys Midnight Runners deserve to be more than two hit wonders?

Dexys Midnight Runners, a band named after doing lots of drugs and...

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RIOT Introducing #022: Thals

Born in the Netherlands to Columbian/Spanish parents, and raised in Marbella; Thals...

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RIOT Introducing #021: SHRINK

Still in his early twenties, Sam Breathwick has already found success through...

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Album Review: Shame // Drunk Tank Pink

Looking to maintain their title as Most Exciting Band in Britain, Shame...

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RIOT Introducing #020: JUMBO

Cast your mind back to that short window of optimism towards the...

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From Flops To Bops; Live Lounge's Most Ambitious Performances

God bless the nonsense that the Live Lounge produces. BBC Radio 1’s...

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RIOT's Albums of the Year 2020

2020 was supposed to be a year like no other… And, in...

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RIOT Introducing #019: Hallan

With three releases under their belt, Hallan are growing in stature. The...

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Album Review: evermore // Taylor Swift

On announcing her 9th album evermore, Taylor Swift admitted that her musical...

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Riot Introducing #018: atmos bloom

Dreampop duo atmos bloom create lofty soundscapes with driving drums and faultless...

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How women have, finally, broken into the Grammy's rock categories: a brief history

2020, the year The Recording Academy has been partially dragged into the...

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