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Albums

July 28, 2022

Three and a half years and a new haircut later, Maggie Rogers is finally...

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July 21, 2022

Interpol’s new album The Other Side of Make Believe is an engaging...

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July 18, 2022

Sweden’s Viagra Boys have been hailed for their brash humour and satire,...

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July 14, 2022

Black midi are one of the most intriguing prospects in the flourishing...

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rensforshort
June 24, 2022

“Cover up my eyes / tell me that it’s fine,” renforshort pleads...

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June 20, 2022

A self-titled album is a statement. For most artists, it’s their debut...

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Foals
June 17, 2022

If the post-pandemic party years need a soundtrack, I think I’ve found...

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June 1, 2022

When was the last time you thought about ska subgenres? Yeah, me...

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April 22, 2022

Does anybody actually know what is and what is not ‘post punk’...

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April 5, 2022

Wet Leg only became Wet Leg following a discussion on a ferris...

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April 2, 2022

Aussie band Confidence Man go above and beyond with their new rave...

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March 24, 2022

Since announcing themselves with early singles ‘Fashionista’ and ‘Four Wheel Drive’ a...

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March 16, 2022

The new record from New Zealand group Yumi Zouma is a whirlwind...

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March 16, 2022

Smooth, melodic & tinged with humour, the new EP from Australian artist...

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Crash Album Cover
March 16, 2022

“I’m about to crash, come watch me,” Charli XCX sings on the...

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March 11, 2022

Velvety, expressive, and melodic, the new EP from Philadelphian artist Orion Sun...

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