features

Album Review: London Grammar // Californian Soil

The trio from London-via-Nottingham have taken their bravest sonic step forward yet,...

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RIOT Introducing #026: George Moir

George Moir makes life-affirming indie pop bops which document the highs and...

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Blanketman on their 'National Trust' EP and writing music in a pandemic

Gearing up to release their debut EP, National Trust, later this month, we sat...

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Post-Punk & Patience: an Interview with TV Priest

With their moshpit-ready cacophony of distorted guitars and wry takes on modernity;...

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RIOT Introducing #024: Greta Isaac

It’s rare that a pop artist comes out of the gates with...

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RIOT Introducing #021: SHRINK

Still in his early twenties, Sam Breathwick has already found success through...

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RIOT Introducing #020: JUMBO

Cast your mind back to that short window of optimism towards the...

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Riot Introducing #018: atmos bloom

Dreampop duo atmos bloom create lofty soundscapes with driving drums and faultless...

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Album Review: Miley Cyrus // Plastic Hearts

Miley Cyrus‘ musical career is unusual in that it has charted her...

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Looking back: Did Aqua deserve to be more than one hit wonders?

I’m worried about the state of my Spotify Wrapped… I have a...

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RIOT Introducing #16: Joey Maxwell

Joey Maxwell is doing it unapologetically on his own. Having spent time in...

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BLOXX talk about 2020, band shakeups and their debut album, 'Lie Out Loud'

In the four years that Bloxx have been together, they have already...

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Auckland's LEISURE discuss their new single, upcoming album, and the return of live music in New Zealand

Auckland-based indie band LEISURE invites you to sit back and relax with...

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The Ninth Wave: "Mental health is a thing that’s not talked about enough"

The Ninth Wave are one of the most exciting new artists in...

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Looking back: Did Village People deserve to be more than one hit wonders?

I listened to Village People’s full discography after being infected by the...

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